Larvaic, eruptive, layered and encrudded, the work of Michael McSwiney in his latest offering, ‘Code Orange,’ at the Clonakilty Community Arts Centre (CCAC), both quickens and slows on the eye. It is the mark of a master who understands that great composition demands a full range of time signatures: from […]
Colours crisp as daylight, edges seamlessly rendered. The prints on show at the Blue House Gallery in August breathed out the colour mantras of 20th century modernism. Edges both hard and soft, prismatic primaries, diffused tertiaries, colour field teasing landscape, landscape teasing colour field. Through various media, including carborundum, screen […]


