
by Galyna Zaitseva
When I first met Saeeda, I was struck by her quiet presence. She speaks softly, listens carefully and has no natural desire to be the centre of attention. At first, she seems shy and reserved. Yet the more time you spend with her, the more clearly you begin to notice the strength beneath that gentleness. I saw the same quiet strength in her studio.
I had imagined a busy creative space filled with fabrics, threads, patterns and unfinished ideas. Instead, everything was carefully organised in containers, with every object in its place. Only the sewing machine and a painting still in progress revealed that this was an artist’s workspace.
Then Saeeda began opening the containers.
One by one, she brought out dresses, blouses, jewellery and embroidered fabrics. She showed me the details she had made by hand and explained the techniques behind them. With each new piece, another part of her creative world appeared.
I had come to select outfits for the photoshoot, but very quickly I stopped choosing and simply began admiring her work. Every garment felt different. Some pieces were delicate and understated, while others were full of colour, embroidery and painted detail. Choosing only three looks was far more difficult than I had expected. I wanted to show everything.
For Saeeda, fashion has always been closely connected to art.
“As an artist, I have always dreamed of seeing people wear my art,” she says. “I love working with my hands, exploring crafts, textures and traditional techniques. Fashion has given me a beautiful way to turn my creativity into something people can wear and enjoy in their everyday lives.”
Saeeda has lived in Clonakilty since June 2024, having come directly to West Cork from Pakistan with her four children. Arriving in Ireland meant leaving behind her home, familiar surroundings and the life she had built.
At a time when almost everything around her was already changing, she also faced breast cancer, surgery and treatment.
“My battle with breast cancer came at a time when my whole life had already changed,” she says. “Facing cancer, surgery and treatment in a new country, largely on my own, was one of the biggest challenges of my life.”
She speaks about this period openly, but without allowing it to become the only story she tells about herself. During our conversation, her thoughts continually returned to the future: to fabrics she would like to try, techniques she wants to explore and ideas she hopes to develop.
“I have never believed in giving up,” she says. “I try not to spend too much time mourning what I have lost or what has been left behind. Instead, I think about what I can create, improve and build next.”
That way of thinking seems to shape both her life and her work.
Today, Saeeda creates clothing under the name S.fusion. The brand reflects her desire to bring different ideas, cultures, artistic traditions and styles together, while keeping comfort and individuality at the heart of every design.
“It is about creating a fusion while keeping comfort and individuality at the centre of everything I do,” she explains.
She currently works mainly with 100 per cent cotton and traditional hand block-printing techniques. Her next step is to explore eco-printing on cotton, and she hopes to work more with organic materials and handwoven textiles in the future.
For Saeeda, the way clothing feels is just as important as the way it looks.
“My purpose is not only to create beautiful and stylish clothing,” she says. “I want to think about people’s comfort and wellbeing too. Clothes can be artistic and stylish while still being breathable, comfortable and kind to the skin.”
What she loves most is beginning with a simple piece of fabric and gradually giving it a character of its own.
“For me, fashion is another form of art. I love taking a simple piece of fabric and giving it its own story. My dream is to let people wear that art.”
Saeeda does not believe personal style should be shaped by every passing trend. For her, clothing is a way of expressing personality, confidence and even mood.
She is especially passionate about reminding women that style does not disappear with age. Bodies change and the clothes that once felt right may no longer suit who we have become. Saeeda sees this not as a reason to withdraw from fashion, but as an opportunity to discover something new.
“Never believe that beauty or style has an age limit. We should never stop expressing ourselves or taking care of how we feel.”
Her advice is to look beyond perfection and pay attention to the way clothes make us feel.
Experimentation is an important part of Saeeda’s own work. She enjoys bringing traditional techniques into modern, uncomplicated silhouettes and exploring unfamiliar combinations of colour and texture.
“Sometimes stepping outside your comfort zone can help you discover a completely new and beautiful side of yourself,” she says.
The photoshoot asked Saeeda to step outside her own comfort zone. For most of her creative life, she had worked behind the scenes, designing clothes and creating looks. This time, she was the one wearing the designs and standing in front of the camera.
“I am quite camera-shy, so it was something completely new for me,” she says. “The photographer made me feel very comfortable, and wearing my own designs gave me a new connection with my work.”
At the beginning of the shoot, Saeeda was understandably reserved. She was more accustomed to adjusting a garment or considering how a look should be presented than thinking about her own position in front of the lens.
Gradually, she began to relax.
“I was very tired by the end and definitely realised that modelling is not as easy as it looks,” she says with humour. “But overall, it was a really beautiful and positive experience.”
During the day, she also experienced a quieter and more personal realisation.
“I suddenly realised that I had almost forgotten to smile. It reminded me that I need to find my smile again.” Those words stayed with me.
By the end of the shoot, Saeeda was no longer thinking so carefully about the camera. She was laughing freely and naturally, surrounded by the clothes she had designed and made with her own hands.
The photoshoot did not turn her into somebody new. It allowed her to see herself – and her work – from another side. For a little while, she was not only the artist behind the clothes, but also the woman wearing them, enjoying them and allowing herself to be seen.
“Cancer changed many things in my life, but it did not take away my creativity or my desire to move forward,” she says. “I am still creating, learning and building new dreams for myself and my children.”

Look One
This look brings together soft shades of green, natural texture and detailed handwork.
Relaxed olive-green trousers create an uncomplicated foundation, while the pistachio-green top, made from artisan-woven natural fabric, introduces texture and delicate hand embroidery. Its easy silhouette allows the beauty of the material to remain visible without making the outfit feel formal.
The long handmade overlayer is the focal point of the look. It has been carefully tailored and embroidered, while the back features a hand-painted floral design. This painted detail makes the garment unmistakably individual – a piece shaped not only by technique, but also by Saeeda’s hand as an artist.
The floral elements on the top and overlayer create a gentle connection between the pieces. They do not match exactly, but they seem to belong to the same story.
Minimal jewellery allows the woven fabric, embroidery and painting to remain at the centre of the outfit. The finished look feels calm and considered, with each handmade detail given space to be noticed.
Stylist’s tip: When wearing a detailed handcrafted piece, pair it with simple shapes and restrained accessories. Let the embroidery, texture or painted detail become the part of the outfit that draws the eye.

Look Two
The second look is light, joyful and full of summer colour.
At its centre is a yellow dress made from natural fabric and decorated with a traditional hand-block print. The warm shade brings brightness and energy, while the relaxed shape keeps the look comfortable and easy to wear.
Underneath, Saeeda wears a powder-blue blouse with full sleeves, hand embroidery at the shoulder and decorative inserts running along the arms. These details give the blouse its own identity rather than allowing it to disappear beneath the dress.
The combination of yellow and pale blue feels fresh and slightly unexpected. Small yellow elements within the embroidery connect the blouse to the dress, making the layering feel natural and balanced.
A caramel-toned handbag adds warmth and complements the earthy quality of the printed cotton. Together, the colours create an outfit that feels expressive without becoming overwhelming.
Stylist’s tip: When layering two contrasting garments, look for one small detail that connects them. A repeated colour in embroidery, print or trim can bring the whole outfit together.

Look Three
The third look is built around shades of blue and a gentle contrast between delicate fabrics and relaxed denim.
The flowing handmade overlayer moves lightly around the body, while fine bead embroidery catches the light with each step. Beneath it, a handmade blouse finished with lace adds another layer of softness and detail.
Wide-leg pale-blue jeans give the outfit a more grounded, contemporary feeling. Their simple structure provides an effective contrast to the sheer fabric, lace and beadwork above.
Because the colours remain within the same family, the different textures become the most interesting part of the look. Denim, transparency, lace and small areas of shimmer each contribute something different while preserving the calmness of the blue palette.
The result is relaxed but distinctive – an outfit that allows handcrafted pieces to become part of everyday dressing rather than reserving them only for special occasions.
Stylist’s tip: A monochromatic outfit becomes more interesting when you combine different fabrics. Denim, lace, sheer layers and beadwork can add depth and movement even when the colours are closely related.
For enquiries or commissions contact Saeeda through instagram (saeedamakeupartist) or Facebook (Saeeda Naeem)


