They will be releasing their second album this April, in the middle of the month: ‘Evelyn and Dec’. It’s not (yet) a household name but could become one. When their first album, ‘Make for Joy’, was released on Leap Day in 2024, it was named Album of the Week at RTÉ Radio 1. “Their voices are the most idyllic combination,” wrote TradFest (Dublin) last January when they were featured at the festival.
‘Dec’ is short for a name that will ring a bell for quite a few people: Declan Sinnott. An acclaimed guitarist who worked with Christy Moore for well over 30 years, from the early 1980s until lockdown. He played acoustic, electric and Spanish guitars, violin and provided vocals on Moore’s iconic ‘Ride On’ album (1984) and produced four-and-a-half of his albums.
He also worked with Mary Black for 13 years, from 1982 onwards, both as a guitarist and as her producer. Both of these working relationships have come to an end but not in a dramatic way at all, he says during the West Cork People interview. “They were very long collaborations. With Mary Black, I played all the gigs, was her producer, suggested a lot of the songs, and came up with the idea of using only Irish songwriters. I suppose I determined the direction to a large extent. With Christy Moore, although here, too, I was playing all the gigs. I didn’t have as much influence. Christie is very much his own man and I would be trying to steer him towards things that I thought might be good for him to do. However, mostly he would just do whatever he wanted to and I’d go along with it.”
Sinnott (born in Wexford, now resident in Bandon) was one of the original members of Horslips, otherwise known as “the Founding Fathers of Celtic Rock” according to Irish Music Daily. The blog also reveals that three of the core members, including Eamon Carr and Barry Devlin, arrived at the idea of forming a band, in 1970, after they had posed as a ‘fake band’ for an advert (for Harp Lager). They then invited Declan Sinnott and spent two years practising and performing before turning professional. Ironically, he left Horslips soon afterwards when it again appeared in an advert (for Mirinda orange juice), which annoyed him. Nine years later, he was asked by two other luminaries of the Irish music scene, Christy Moore and Dónal Lunny, to join what became the Celtic Rock band Moving Hearts before earning further ‘stripes’ in Irish musical history, as he started to work with Mary Black. During the period he was her producer, guitarist and musical director she went from strength to strength in her career. Two platinum-selling solo albums, plenty of plaudits, sell-out tours, international success (in Europe, the US, Japan). He also collaborated with her sister Frances Black, a prominent singer herself and, since 2016, a proactive ‘seanadóir’.
The list of people that Declan has formed musical partnerships with over the years (he’s now 75) is long and impressive. As to the main ones, apart from the aforementioned singers, there’s John (Spillane), Niamh (Murphy), Hank (Wedel), Victoria (Keating), Sinead (Lohan), Jessie (Whitehead), Owen (O’Brien).
And now there is Evelyn (Kallansee). Born on Curaçao, an island and former Spanish and Dutch colony off the coast of Venezuela, she grew up in a midsize town in North Holland. Evelyn sang in large musical and theatre productions such as Les Misérables and Evita, was a backing vocalist for well-known Dutch and international singers, acted in TV-series, and fronted Tristan, an acid jazz band that became popular in Japan and the UK.
So how did she end up in Ireland?
“My in-laws would always go here on walking holidays and brought back beautiful photographs. After about 15 years of them trekking all over Ireland, my husband and I decided to check it out, went to Kerry and really fell in love with the place. And in 2011 we bought a house on the Beara Peninsula. At that time I stated, on a whim, that we’d move to Ireland in 2020. A nice round number and I would turn 50 in that year so it became our goal. And then we arrived two days before lockdown. That changed everything. Before coming to Ireland, I thought: I’ve had my career and done so many things, it’s okay, I’ll just start singing in pubs. Of course, they all closed down. And then I met Declan. He was such a joy to work with.”
Sinnott: “I was recording with another musician called Hank Wedel. He wanted harmonies on two tracks. When he discovered that Evelyn was in the country, he asked her to come and sing. When I heard her, a light bulb went on in my head and I thought, that’s very interesting. Not just the sound of her voice. Equally, her efficiency and professionalism.”
Evelyn: “I also work as a breath-work coach and do meditation for a Dutch company, the ‘I AM’ Academy. They had commissioned me to write a song for them but I’d just arrived in Ireland I had no idea who to do it with. When I met Declan I knew I had to try it with him.” The song, ‘Love Light’, became one of the 11 songs on Make for Joy, available on Bandcamp. Their second CD, Wait Up, will be launched and presented in April (see below for details).
A lot of their songs seem to come about organically or should that be intuitively?
Evelyn: “There is no fixed formula.”
Declan: “For the song called Wait Up, I put down a drum groove. Then Evelyn went to the microphone as I picked up an electric guitar. We just improvised and what we created added up to a well-rounded song. It was the first time we worked like that.”
Their music is very comfortable and reassuring. What stands out are the strong melody lines, the harmonies, Evelyn’s voice. And there is no doubt that whatever string and other sounds Declan produces, they are world class. A balm for the nervous system.
www.evelynanddec.com
Concerts:
April 24, St. John’s Theatre, Listowel
April 25, St. Patrick’s Church, Kenmare
April 26, Sarah Walker Gallery, Castletownbere
